Tempo markings
Before metronomes, tempo was a word, not a number. The Italian terms below are still printed at the top of scores โ here is the BPM range this site assigns to each, and what the word is really asking for.
| Marking | BPM (this site) | Beat length | What it means |
|---|---|---|---|
| Grave | 20โ39 | 3000โ1538 ms | Slow and solemn โ a funeral-march weight. |
| Largo | 40โ65 | 1500โ923 ms | Broad and stately, "at length". |
| Adagio | 66โ75 | 909โ800 ms | "At ease" โ slow, lyrical, unhurried. |
| Andante | 76โ107 | 789โ561 ms | A walking pace โ the most human tempo of all. |
| Moderato | 108โ119 | 556โ504 ms | Moderately โ neither slow nor fast. |
| Allegro | 120โ155 | 500โ387 ms | Bright, joyful and quick โ the default "fast". |
| Vivace | 156โ175 | 385โ343 ms | Lively and fast, a step beyond Allegro. |
| Presto | 176โ300 | 341โ200 ms | Very fast โ Presto, and beyond 200 often called Prestissimo. |
An honest caveat: published scales disagree. One book's Adagio is 66โ76, another's is 55โ65; the boundaries above follow one commonly used modern scale and are the same ones the MetronomeHQ metronome displays live as you change tempo. Treat any single boundary as ยฑ a few BPM โ the words describe a character first and a speed second.
The words, one by one
Grave (20โ39 BPM)
"Grave" as in gravity and gravitas. The slowest common marking โ the tempo of funeral marches and the opening of a requiem. At 30 BPM each beat is two full seconds apart, which is harder to play steadily than any fast tempo on this page.
Largo (40โ65 BPM)
"Broadly." Largo asks for a wide, stately sound โ think of the famous Largo from Dvoลรกk's New World Symphony. Handel's "Largo" (actually marked Larghetto in the score) is the piece that made the word famous.
Adagio (66โ75 BPM)
From ad agio, "at ease". Slow and lyrical, the tempo of the great slow movements โ and, thanks to Albinoni's Adagio in G minor (as popularised in the 20th century), probably the most recognised marking of all.
Andante (76โ107 BPM)
"Walking" โ specifically, walking pace, which is why this range centres near the speed of a relaxed human stride, around 90โ100 steps a minute. An enormous amount of music lives here; it is the tempo our bodies default to.
Moderato (108โ119 BPM)
Simply "moderately" โ the marking a composer uses to say: nothing extreme, keep it moving. It sits in the narrow band between walking and running, just short of Allegro.
Allegro (120โ155 BPM)
"Joyful, bright." The default fast tempo of the classical repertoire, and the range of a great deal of pop music besides. At 120 BPM a beat is exactly 500 ms โ the reference point on the BPM to milliseconds table.
Vivace (156โ175 BPM)
"Lively, very alive" โ Allegro with the brightness turned up. Beethoven reached for Vivace when Presto would have been too blunt. Drum and bass, at 160โ180 BPM, spends its life straddling Vivace and Presto.
Presto (176 BPM and up)
"Fast!" โ literally an instruction meaning quickly, at once. Flight-of-the-bumblebee territory. Beyond about 200 BPM many scales add Prestissimo; this site keeps the Presto label and lets the number speak.
Markings you may also meet
| Marking | Where it sits | Note |
|---|---|---|
| Larghetto | 50โ55 in some scales | Slightly faster than Largo โ "rather broad". In the scale this site uses, these speeds read as Largo. |
| Andantino | Between Andante and Moderato | Literally "little Andante"; confusingly used for both slightly slower and slightly faster than Andante depending on the era. |
| Allegretto | Just below Allegro | "A little joyful" โ moderately fast, lighter than Allegro. |
| Prestissimo | Beyond Presto, roughly 200+ | The fastest marking in common use; at 200 BPM a beat lasts 300 ms. |
Using the markings today
If a score says Andante and nothing else, start around 90 BPM and let the character of the music argue from there. If you need the tempo of a recording instead, tap it and then see which marking the number falls under. And for the speeds of modern recorded music โ where nobody writes Andante on a techno track โ the genre BPM guide translates by style instead of by word.